Truth Takes a Holiday: Julian Barnes’s England, England
and the Theme Park as Literary Genre

GREGORY J. RUBINSON
UCLA

Abstract
This essay views Julian Barnes’s satirical novel England, England as part of a new literary genre which I call “theme park fiction” – a genre that parodies our postmodern trend towards commodifying the hyperreal. Barnes presents a theme park called “England, England” as a simulacrum of a mythic, idealized version of “Ye Olde England” which offers the essence of English history and culture as a consumer product. The theme park’s unqualified success seems to “prove” the complete irrelevance of truth to most people. Barnes’s novel shows us that untruths are crucial to forging nations as “imagined communities” (as Benedict Anderson calls them): lies about the past create a mythology that unifies and masks a lack of essence in national identity. But if we abandon truth, Barnes warns, then we pave the way for the construction of something like “England, England,” the purpose of which is to repackage a country and its “history” as a commodity. To lose sight of the fact that there is truth underlying all our fictions, Barnes suggests, is to trivialize our lives. Truth cannot be abandoned, despite all the postmodern theories of the death of authenticity or the real.

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